|Description||English: Photographic illustration from Paul Laurence Dunbar’s When Malindy Sings by members of the Hampton Institute Camera Club|
|Source||When Malindy Sings (https://archive.org/details/whenmalindysings00dunb_0/page/40/mode/2up)|
|Description||English: Title vignette by E. T. Parris, from Gems of Beauty|
|Source||Gems of Beauty (https://archive.org/details/GemsOfBeautyDisplayedInASeriesOfTwelveHighlyFinishedEngravingsFrom/parris-e-gems-1836-RTL003048/page/n7/mode/2up)|
|Author||Edmund Thomas Parris|
|Description||English: Advertising photo by the Tonnesen Sisters for Pittsburgh Plate Glass|
|Source||Pittsburgh Plate Glass Company catalogue|
Captioned with a quotation: “The truest mirror, that an honest wife / can see her beauty in.” —The Honeymoon, Act III, Scene 4.
The celebrated Tonnesen Sisters were, by Beatrice Tonnesen’s own account, the first to use photographs of living models in advertising.
|Description||English: Woman applying talcum powder|
|Source||Advertisement for Pompeian Fragrance talc in Cine-mundial (https://archive.org/details/cinemundial08unse/page/42/mode/2up)|
Oddly, she seems to be using a cylindrical tin, but her reflection is using a flattened flask.
This scalable illustration can be used at any size.
English: “The Magic Mirror” by J. M. Wright, illustrating Sir Walter Scott’s story “My Aunt Margaret’s Mirror,”
|Source||The Keepsake (https://archive.org/details/keepsake00unse/page/n49)|
|Author||J. M. Wright, illustrator; E. Portbury, engraver|
A small area is damaged near the center.
From The Keepsake, 1829.
Doubt and Other Things, 1922 (https://archive.org/stream/doubtandotherthi00veddiala#page/n7/mode/2up)